Ironically, the first thing we read is Kingston's mother's warning Kingston, "You must not tell anyone. In China your father had a sister who killed herself. She jumped into the family well. We say that your father has all brothers because it is as if she had never been born.
In what ways does Kingston defend her aunt by denouncing the problem of Chinese culture while still attempting to be respectful of her ancestry?
This story blurs the lines between truth and falsehood, making it difficult to decipher accurate information about the no name woman. Kingston illustrates the struggle of Chinese American immigrants to assimilate and debates the difference between authenticity and personal experience.
If one reads the work just as the story of the aunt, one misses the underlying message regarding Chinese society and its detrimental effect on women. Confucian familial structure stemmed from the men down.
The men were the heads of the house and the leaders of society. The children, more specifically the sons, were to do as they were told and model their behavior after their fathers.
Having female children, especially if you did not have a son already, was shameful, and many baby girls were abandoned. If the family was behaving according to tradition, virtue would flow down the chain of command.
A woman could not own land or file for divorce; once she entered a marriage she was bound to her husband. Women were gentle beings, who were viewed as delicate and fragile, devoid of their own opinions and thoughts. Kingston views this disrespect of women as a weakness of Chinese culture.
The first line hints at the secretive nature of Chinese society, another cultural weaknesses that troubles the author. Kingston is illustrating the concept of the inner circle.
Chinese citizens tend to close off communication and analyze their words before speaking for fear of negative repercussions.
The talk-story Kingston is about to hear is shameful; negative history follows generation after generation. The family in Chinese society is the most important unit, and all actions of the family members affect the entire group. She is differentiating herself from her culture by publishing the very secret that continues to perturb her.
Chinese citizens were fed up with their oppressive war-lord governmental system. Many made the decision to move to America, hoping to live the American dream and achieve success.
This move exposed the Chinese to a new culture, giving them a reference point to compare their society to. Their illusion of what it meant to be American was shattered.
This was the exact same for Kingston, living in America made her realize that no one shares a common experience; we may all be American but we all perceive America differently. Kingston never would have written this novel if she had not immigrated to America.
This move gave Kingston the freedom of expression and the comparative mindset she needed to observe her culture analytically. Kingston introduces the villagers, who represent one source of stress to the family system.
Their friends and neighbors, feeling burdened by the weight of Chinese society and tradition, must destroy the house and livelihood of friends and comrades.
They wear white masks not only to conceal their identity but also to hide their grief. The color white in ancient Chinese society is associated with mourning. These villagers are mourning the loss of a member of their community. Contradicting tradition, some may believe the aunt was raped or believe that the whole family should not suffer.
However, if they betrayed tradition, they would be ostracized. One of the pillars of Chinese culture is networking and familial ties. This instance begs the question of when to stand up for what is right even though the consequences may be severe.Welcome to our free galleries archive!
before and after; human body; hardcore; vintage mature; lactating lesbians; party sluts. Kingston's struggle in "No-Name Woman" and in the memoir as a whole is to write about that which is never said: her unnamed dead aunt, the atrocities in her mother's Chinese village, and another aunt, Moon Orchid, who is unable to adapt to life in America.
For example, here in "No Name Woman," Kingston says of her mother, who, we later learn, is named Brave Orchid, "Whenever she had to warn us about life, my mother told stories that ran like this one [about No Name Woman], a story to grow up on. The Woman Warrior: Memoirs of a Girlhood Among Ghosts is a book written by Chinese American author Maxine Hong Kingston and published by Alfred A.
Knopf in The book blends autobiography with what Kingston purports to be old Chinese folktales. Essay’s Immediate Context “No Name Woman” tells the freely imagined story of Kingston’s aunt whose existence was erased from the familial memory after she gave birth to a child that was not her husband’s.
The story, “No Name Woman” by Maxine Hong Kingston recounts the tale of a young woman who became pregnant while unmarried and is forced to suffer the consequences. This story blurs the lines between truth and falsehood, making it difficult to decipher accurate information about the no name woman.